Barracoon: The Story of the Last Black Cargo

Barracoon: The Story of the Last Black Cargo

$29.99

Jacket Description/Back: From the author of the classic Their Eyes Were Watching God comes a landmark publication - a never-before-published work of the American experience. In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old...

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Description

Jacket Description/Back:

From the author of the classic Their Eyes Were Watching God comes a landmark publication - a never-before-published work of the American experience.

In 1927, Zora Neale Hurston traveled to Plateau, Alabama, to visit eighty-six-year-old Cudjo Lewis, a survivor of the Clotilda, the last slaver known to have made the transatlantic journey. Illegally brought to the United States, Cudjo was enslaved fifty years after the slave trade was outlawed.

At the time, Cudjo was the only person alive who could recount this integral part of the nation's history. As a cultural anthropologist, Hurston was eager to hear about these experiences firsthand. But the reticent elder didn't always speak when she came to visit. Sometimes he would tend his garden, repair his fence, or appear lost in his thoughts.

Hurston persisted, though, and during an intense three-month period, she and Cudjo communed over her gifts of peaches and watermelon, and gradually Cudjo, a poetic storyteller, began to share heartrending memories of his childhood in Africa; the attack by female warriors who slaughtered his townspeople; the horrors of being captured and held in the barracoons of Ouidah for selection by American traders; the harrowing ordeal of the Middle Passage aboard the Clotilda as "cargo" with more than one hundred other souls; the years he spent in slavery until the end of the Civil War; and finally his role in the founding of Africatown.

Barracoon employs Hurston's skills as both an anthropologist and a writer, and brings to life Cudjo's singular voice, in his vernacular, in a poignant, powerful tribute to the disremembered and the unaccounted. This profound work is an invaluable contribution to our history and culture.



Review Quotes:

"That Zora Neale Hurston should find and befriend Cudjo Lewis, the last living man with firsthand memory of capture in Africa and captivity in Alabama, is nothing shy of a miracle. Barracoon is a testament to the enormous losses millions of men, women and children endured in both slavery and freedom--a story of urgent relevance to every American, everywhere." - Tracy K. Smith, Pulitzer Prize-winning author of Life on Mars and Wade in the Water

"Zora Neale Hurston's genius has once again produced a Maestrapiece." - Alice Walker, Pulitzer Prize-winning author of The Color Purple

"Barracoon is a powerful, breathtakingly beautiful, and at times, heart wrenching, account of one man's story, eloquently told in his own language. Zora Neale Hurston gives Kossola control of his narrative-- a gift of freedom and humanity. It completely reinforces for me the fact that Zora Neale Hurston was both a cultural anthropologist and a truly gifted, and compassionate storyteller, who sat in the sometimes painful silence with Kossola and the depth and breadth of memory as a slave. Such is a narrative filled with emotions and histories bursting at the intricately woven seams." - Nicole Dennis-Benn, author of Here Comes the Sun

"An invaluable addition to American social, cultural, and political history." - Publishers Weekly (starred review)

"Sure to be widely read." - Kirkus Reviews

"A profound impact on Hurston's literary legacy." - New York Times

"Though both Hurston and Lewis are long gone, Hurston's account of the former slave's life serves as a timely reminder of our shared humanity--and the consequences that can occur if we forget it." - People

"Zora Neale Hurston has left an indelible legacy on the literary community and commanded an influential place in Black history." - Essence

"A posthumously-released work of acclaimed Harlem Renaissance-era writer Zora Neale Hurston offers a chilling firsthand look at the horrors of the slave trade." - Vibe

"[Zora's] newly published book, released for the first time 87 years after it was written, will shed new light on the author as a historical chronicler." - Quartzy

"With its historically valuable first-hand account of slavery and freedom, Barracoon speaks straight to the 21st-century world into which it has emerged--almost a century after it was written." - Lily Rothman, Time

"Barracoon is an impactful story that will stick with you long after the final page." - Parade

"Barracoon and its long path to print is a testament to Zora's singular vision amid so many competing pressures that continue to put us at war with ourselves." - Huffington Post

"Barracoon is a piece of the puzzle we didn't know we were missing. Ms. Zora has captured through the lens of Cudjo Lewis a glimpse into what the slave trade, Middle Passage, and first steps onto American soil meant for millions. The narrative of Cudjo reminds us of the faith and hope that got us here despite it all." - Michael Twitty, author of The Cooking Gene

"A profound work that shows a writer in the process of gathering a landmark story." - Garden & Gun

"[Barracoon's] belated publication of her phonetic transcription offers spine-chilling access to one of modernity's great crimes, an atrocity that, when described by a victim, suddenly becomes far less distant." - The Guardian

"Zora Neale Hurston's recovered masterpiece, Barracoon, is a stunning addition to several overlapping canons of American literature." - Tayari Jones, Washington Post

"Short enough to be read in a single sitting, this book is one of those gorgeous, much too fleeting things...Brimming with observational detail from a man whose life spanned continents and eras, the story is at times devastating, but Hurston's success in bringing it to light is a marvel." - NPR

"Barracoon is a testament to [Zora's] patient fieldwork" - Vulture

"One of the greatest writers of our time." - Toni Morrison

"Barracoon reinforces what those of us who love Hurston's work have known all along: her keen intellect and curiosity was only surpassed by her genuine empathy for her subjects. This book is not just an account of one man's survival in the face of atrocity, it's a celebration of language and tradition; a clear labor of love." - Angela Flournoy, National Book Award Finalist and author of The Turner House



Publisher Marketing:

One of the New York Times' Most Memorable Literary Moments of the Last 25 Years! - New York Times Bestseller - TIME Magazine's Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - Economist Book of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 -

"A profound impact on Hurston's literary legacy."--New York Times

"One of the greatest writers of our time."--Toni Morrison

"Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice Walker

A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last "Black Cargo" ship to arrive in the United States.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.



Review Citations:

  • Library Journal Prepub Alert 12/01/2017 (EAN 9780062748201, Hardcover)
  • Kirkus Reviews 03/15/2018 (EAN 9780062748201, Hardcover)
  • Publishers Weekly 03/26/2018 (EAN 9780062748201, Hardcover) - *Starred Review
  • Library Journal 05/01/2018 pg. 78 (EAN 9780062748201, Hardcover)
  • Booklist 05/15/2018 pg. 4 (EAN 9780062748201, Hardcover) - *Starred Review
  • Shelf Awareness 06/15/2018 (EAN 9780062748201, Hardcover)
  • Wilson Nonfiction Catalog 04/11/2019 (EAN 9780062748201, Hardcover)
  • Library Journal 10/15/2018 pg. 36 (EAN 9781538519295, Compact Disc)

Contributor Bio:Hurston, Zora Neale

Zora Neale Hurston wrote four novels (Jonah's Gourd Vine; Their Eyes Were Watching God; Moses, Man of the Mountains; and Seraph on the Suwanee) and was still working on her fifth novel, The Life of Herod the Great, when she died; three books of folklore (Mules and Men and the posthumously published Go Gator and Muddy the Water and Every Tongue Got to Confess); a work of anthropological research (Tell My Horse); an autobiography (Dust Tracks on a Road); an international bestselling ethnographic work (Barracoon); and over fifty short stories, essays, and plays. She was born in Notasulga, Alabama, grew up in Eatonville, Florida, and lived her last years in Fort Pierce, Florida.



Contributor Bio:Walker, Alice

Alice Walker is an internationally celebrated writer, poet, and activist whose books include seven novels, four collections of short stories, five children's books, and several volumes of essays and poetry. She has received the Pulitzer Prize in Fiction and the National Book Award, and has been honored with the O. Henry Award, the Lillian Smith Award, and the Mahmoud Darwish Literary Prize for Fiction. She was inducted into the California Hall of Fame and received the Lennon Ono Peace Award. Her work has been published in forty languages worldwide.



Contributor Bio:Plant, Deborah G

Deborah G. Plant is an African American Literature and Africana Studies Independent Scholar and literary critic specializing in the life and works of Zora Neale Hurston. She is editor of The Life of Herod the Great (2025) by Zora Neale Hurston and author of Of Greed and Glory: In Pursuit of Freedom for All (2024); editor of Barracoon: The Story of the Last "Black Cargo" (2018), a New York Times bestseller, by Zora Neale Hurston; and author of Alice Walker: A Woman for Our Times (2017), a philosophical biography. She is also editor of The Inside Light: New Critical Essays on Zora Neale Hurston (2010); and author of Zora Neale Hurston: A Biography of the Spirit (2007) and Every Tub Must Sit On Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston (1995). She holds a BA from Southern University, an MA from Atlanta University, and MA and Ph. D. degrees in English from the University of Nebraska-Lincoln. She was instrumental in founding the University of South Florida's Department of Africana Studies and chaired the department for five years. Plant resides in Florida.