{"product_id":"longman-anthology-of-british-literature-the-volumes-1a-1b-and-1c-4th-ed","title":"Longman Anthology of British Literature, The, Volumes 1a, 1b, and 1c (4TH ed.)","description":"\n\u003ctable align=\"center\" border=\"0\" cellpadding=\"2\" cellspacing=\"0\" width=\"100%\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"productDetailSmallElements\"\u003e\n\u003cp\u003e\n\u003cstrong\u003eJacket Description\/Back\u003c\/strong\u003e:\u003cbr\u003e\n\t\t\t\t\t\t\t\tThe Fourth Edition of The Longman Anthology of British Literature continues its tradition of presenting works in the historical context in which they were written. This fresh approach includes writers from the British Isles, underrepresented female authors, \"Perspectives\" sectionsthatshed light on the period as a whole and link with immediately surrounding works to help illuminate a theme, \"And Its Time\" clusters that illuminate a specific cultural moment or a debate to which an author is responding, and \"Responses\" in which later authors respond to one or more texts from earlier works.\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eMarc Notes\u003c\/strong\u003e:\u003cbr\u003e\n\t\t\t\t\t\t\t\tIncludes bibliographical references and index.\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eBiographical Note\u003c\/strong\u003e:\u003cbr\u003e\n\u003cb\u003eDavid Damrosch \u003c\/b\u003eis Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books include \n\u003ci\u003eWhat Is World Literature?\u003c\/i\u003e (2003), \n\u003ci\u003e The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh\u003c\/i\u003e (2007), and \n\u003ci\u003eHow to Read World Literature\u003c\/i\u003e (2009). He is the founding general editor of the six-volume \n\u003ci\u003e Longman Anthology of World Literature, 2\/e\u003c\/i\u003e (2009) and the editor of \n\u003ci\u003eTeaching World Literature\u003c\/i\u003e (2009). \n\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003e \u003c\/b\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eKevin J. H. Dettmar\u003c\/b\u003e is W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association. He is the author of \n\u003ci\u003eThe Illicit Joyce of Postmodernism\u003c\/i\u003e and \n\u003ci\u003eIs Rock Dead?\u003c\/i\u003e, and the editor of \n\u003ci\u003eRereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock \u0026amp; Roll: Authenticity, Appropriation, Aesthetics;\u003c\/i\u003e the Barnes \u0026amp; Noble Classics edition of James Joyce's \n\u003ci\u003eA Portrait of the Artist as a Young Man\u003c\/i\u003e and \n\u003ci\u003eDubliners;\u003c\/i\u003e and \n\u003ci\u003eThe Blackwell Companion to Modernist Literature and Culture, \u003c\/i\u003eand co-general editor of \n\u003ci\u003eThe Longman Anthology of British Literature. \u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eChristopher Baswell \u003c\/b\u003eis A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University. His interests include classical literature and culture, medieval literature and culture, and contemporary poetry. He is author of \n\u003ci\u003eVirgil in Medieval England: Figuring the \"Aeneid\" from the Twelfth Century to Chaucer\u003c\/i\u003e, which won the 1998 Beatrice White Prize of the English Association. He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eClare Carroll\u003c\/b\u003e is Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY. Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author of \n\u003ci\u003eThe Orlando Furioso: A Stoic Comedy\u003c\/i\u003e, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland, \n\u003ci\u003e Solon His Follie\u003c\/i\u003e. Her most recent book is \n\u003ci\u003e Circe's Cup: Cultural Transformations in Early Modern Ireland\u003c\/i\u003e. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eAndrew Hadfield\u003c\/b\u003e is Professor of English at The University of Sussex. He is the author of a number of books, including \n\u003ci\u003eShakespeare and Republicanism\u003c\/i\u003e (2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature; \n\u003ci\u003eLiterature, Travel and Colonialism in the English Renaissance, 1540-1625\u003c\/i\u003e (1998); and Spenser's \n\u003ci\u003eIrish\u003c\/i\u003e\n\u003ci\u003eExperience: Wilde Fruyt and\u003c\/i\u003e\n\u003ci\u003eSalvage Soyl\u003c\/i\u003e (1997). He has also edited a number, most recently, with Matthew Dimmock, \n\u003ci\u003eReligions of the Book: Co-existence and Conflict, 1400-1660\u003c\/i\u003e (2008), and with Raymond Gillespie, \n\u003ci\u003eThe Oxford\u003c\/i\u003e\n\u003ci\u003eHistory of the Irish Book, Vol. III: The Irish Book in English, 1550-1800\u003c\/i\u003e (2006). He is a regular reviewer for the TLS. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eHeather Henderson\u003c\/b\u003e is a freelance writer and former Associate Professor of English Literature at Mount Holyoke College. A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities. She is the author of \n\u003ci\u003eThe Victorian Self: Autobiography and Biblical Narrative\u003c\/i\u003e. Her current interests include home-schooling, travel literature, and autobiography. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003ePeter J. Manning\u003c\/b\u003e is Professor at Stony Brook University. He is the author of \n\u003ci\u003eByron and His Fictions\u003c\/i\u003e and \n\u003ci\u003eReading Romantics\u003c\/i\u003e, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-edited \n\u003ci\u003eSelected Poems of Byron\u003c\/i\u003e, and \n\u003ci\u003eSelected Poems of Beddoes, Hood, and Praed\u003c\/i\u003e. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association. \n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003e \u003c\/b\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eAnne Howland Schotter\u003c\/b\u003e is Professor and Chair of English and Associate Dean of the Faculty at Wagner College. She is the co-editor of \n\u003ci\u003eIneffability: Naming the Unnamable from Dante to Beckett\u003c\/i\u003e and author of articles on Middle English poetry, Dante, and Medieval Latin poetry. Her current interests include the medieval reception of classical literature, particularly the work of Ovid. She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eWilliam Sharpe\u003c\/b\u003e is Professor of English Literature at Barnard College. A specialist in Victorian poetry and the literature of the city, he is the author of \n\u003ci\u003eUnreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams\u003c\/i\u003e. He is also co-editor of \n\u003ci\u003eThe Passing of Arthur \u003c\/i\u003eand \n\u003ci\u003eVisions of the Modern City\u003c\/i\u003e. He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently published \n\u003ci\u003eNew York\u003c\/i\u003e\n\u003ci\u003e Nocturne: The City After Dark in Literature, Painting, and Photography\u003c\/i\u003e. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eStuart Sherman\u003c\/b\u003e is Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his book \n\u003ci\u003eTelling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775\u003c\/i\u003e, and is currently at work on a study called \"News and Plays: Evanescences of Page and Stage, 1620-1779.\" He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eSusan J. Wolfson\u003c\/b\u003e is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies include \n\u003ci\u003eThe Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry\u003c\/i\u003e, \n\u003ci\u003eFormal Charges: The Shaping of Poetry in British Romanticism\u003c\/i\u003e, and \n\u003ci\u003eBorderlines: The Shiftings of Gender in British Romanticism\u003c\/i\u003e. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley's Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation. She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eBrief Description\u003c\/strong\u003e:\u003cbr\u003e\n\u003cb\u003e\u003ci\u003eThe Longman Anthology of British Literature\u003c\/i\u003e\u003c\/b\u003e\n\u003cb\u003e is the most comprehensive and thoughtfully arranged text in the field, offering a rich selection of compelling British authors through the ages.\u003c\/b\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e With its first edition, \n\u003ci\u003eThe Longman Anthology of British Literature\u003c\/i\u003e created a new paradigm for anthologies. Responding to major shifts in literary studies over the past thirty years, it was the first collection to pay sustained attention to the contexts within which literature is produced, even as it broadened the scope of that literature to embrace the full cultural diversity of the British Isles. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illuminated by clusters of shorter texts that bring literary, social, and historical issues vividly to life. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e Fresh and up-to-date introductions and notes are written by an editorial team whose members are all actively engaged in teaching and in current scholarship, and 150 illustrations show both artistic and cultural developments from the medieval period to the present. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e The Fourth Edition builds on the pioneering features of the previous three editions, expanding the strong core of frequently taught works while continuing to lead the way in responding to the shifting interests of the discipline. \n\u003cp\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cstrong\u003eTable of Contents\u003c\/strong\u003e:\u003cbr\u003e\n\t\t\t\t\t\t\t\t*** denotes selection is new to this edition. \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cb\u003eTHE EARLY MODERN PERIOD\u003c\/b\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e JOHN SKELTON*** \n\u003cp\u003e\u003c\/p\u003e The Bowge of Courte*** \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e PERSPECTIVES: THE SIXTEENTH CENTURY SONNET*** \n\u003cp\u003e\u003c\/p\u003e Sir Thomas Wyatt \n\u003cp\u003e\u003c\/p\u003e The Long Love, That in My Thought Doth Harbor \n\u003cp\u003e\u003c\/p\u003e Companion Reading \n\u003cp\u003e\u003c\/p\u003e Petrarch: Sonnet 140 \n\u003cp\u003e\u003c\/p\u003e Whoso List to Hunt \n\u003cp\u003e\u003c\/p\u003e Companion Reading \n\u003cp\u003e\u003c\/p\u003e Petrarch: Sonnet 190 \n\u003cp\u003e\u003c\/p\u003e My Galley \n\u003cp\u003e\u003c\/p\u003e Some Time I Fled the Fire \n\u003cp\u003e\u003c\/p\u003e Henry Howard, Earl of Surrey \n\u003cp\u003e\u003c\/p\u003e Love That Doth Reign and Live within My Thought \n\u003cp\u003e\u003c\/p\u003e Th'Assyrians' King, in Peace with Foul Desire \n\u003cp\u003e\u003c\/p\u003e Set Me Whereas the Sun Doth Parch the Green \n\u003cp\u003e\u003c\/p\u003e The Soote Season \n\u003cp\u003e\u003c\/p\u003e Alas, So All Things Now Do Hold Their Peace \n\u003cp\u003e\u003c\/p\u003e Companion Reading \n\u003cp\u003e\u003c\/p\u003e Petrarch: Sonnet 164 \n\u003cp\u003e\u003c\/p\u003e George Gascoigne \n\u003cp\u003e\u003c\/p\u003e Seven Sonnets to Alexander Neville \n\u003cp\u003e\u003c\/p\u003e Edmund Spenser \n\u003cp\u003e\u003c\/p\u003e Amoretti \n\u003cp\u003e\u003c\/p\u003e 1 (\"Happy ye leaves when as those lilly hands\") \n\u003cp\u003e\u003c\/p\u003e 4 (\"New yeare forth looking out of Janus gate\") \n\u003cp\u003e\u003c\/p\u003e 13 (\"In that proud port, which her so goodly graceth\") \n\u003cp\u003e\u003c\/p\u003e 22 (\"This holy season fit to fast and pray\") \n\u003cp\u003e\u003c\/p\u003e 62 (\"The weary yeare his race now having run\") \n\u003cp\u003e\u003c\/p\u003e 65 (\"The doubt which ye misdeeme, fayre love, is vaine\") \n\u003cp\u003e\u003c\/p\u003e 66 (\"To all those happy blessings which ye have\") \n\u003cp\u003e\u003c\/p\u003e 68 (\"Most glorious Lord of lyfe that on this day\") \n\u003cp\u003e\u003c\/p\u003e 75 (\"One day I wrote her name upon the strand\") \n\u003cp\u003e\u003c\/p\u003e Sir Philip Sidney \n\u003cp\u003e\u003c\/p\u003e Astrophil and Stella \n\u003cp\u003e\u003c\/p\u003e 1 (\"Loving in truth, and fain in verse my love to show\") \n\u003cp\u003e\u003c\/p\u003e 3 (\"Let dainty wits cry on the sisters nine\") \n\u003cp\u003e\u003c\/p\u003e 7 (\"When Nature made her chief work, Stella's eyes\") \n\u003cp\u003e\u003c\/p\u003e 9 (\"Queen Virtue's court, which some call Stella's face\") \n\u003cp\u003e\u003c\/p\u003e 10 (\"Reason, in faith thou art well served, that still\") \n\u003cp\u003e\u003c\/p\u003e 14 (\"Alas, have I not pain enough, my friend\") \n\u003cp\u003e\u003c\/p\u003e 15 (\"You that do search for every purling spring\") \n\u003cp\u003e\u003c\/p\u003e 23 (\"The curious wits, seeing dull pensiveness\") \n\u003cp\u003e\u003c\/p\u003e 24 (\"Rich fool there be whose base and filthy heart\") \n\u003cp\u003e\u003c\/p\u003e 31 (\"With how sad steps, O Moon, thou climb'st the skies\") \n\u003cp\u003e\u003c\/p\u003e 37 (\"My mouth doth water and my breast doth swell\") \n\u003cp\u003e\u003c\/p\u003e 39 (\"Come sleep, O sleep, the certain knot of peace\") \n\u003cp\u003e\u003c\/p\u003e 45 (\"Stella oft sees the very face of woe\") \n\u003cp\u003e\u003c\/p\u003e 47 (\"What, have I thus betrayed my liberty?\") \n\u003cp\u003e\u003c\/p\u003e 52 (\"A strife is grown between Virtue and Love\") \n\u003cp\u003e\u003c\/p\u003e 60 (\"When my good Angel guides me to the place\") \n\u003cp\u003e\u003c\/p\u003e 63 (\"O grammar-rules, O now your virtues show\") \n\u003cp\u003e\u003c\/p\u003e 64 (\"No more, my dear, no more these counsels try\") \n\u003cp\u003e\u003c\/p\u003e 68 (\"Stella, the only planet of my light\") \n\u003cp\u003e\u003c\/p\u003e 71 (\"Who will in fairest book of Nature know\") \n\u003cp\u003e\u003c\/p\u003e Second song (\"Have I caught my heavenly jewel\") \n\u003cp\u003e\u003c\/p\u003e 74 (\"I never drank of Aganippe well\") \n\u003cp\u003e\u003c\/p\u003e Fourth song (\"Only joy, now here you are\") \n\u003cp\u003e\u003c\/p\u003e 86 (\"Alas, whence came this change of looks? If I...\") \n\u003cp\u003e\u003c\/p\u003e Eighth song (\"In a grove most rich of shade\") \n\u003cp\u003e\u003c\/p\u003e Ninth song (\"Go, my flock, go get you hence\") \n\u003cp\u003e\u003c\/p\u003e 89 (\"Now that, of absence, the most irksome night\") \n\u003cp\u003e\u003c\/p\u003e 90 (\"Stella, think not that I by verse seek fame\") \n\u003cp\u003e\u003c\/p\u003e 91 (\"Stella, while now by honor's cruel might\") \n\u003cp\u003e\u003c\/p\u003e 97 (\"Dian, that fain would cheer her friend the Night\") \n\u003cp\u003e\u003c\/p\u003e 104 (\"Envious wits, what hath been mine offense\") \n\u003cp\u003e\u003c\/p\u003e 106 (\"O absent presence, Stella is not here\") \n\u003cp\u003e\u003c\/p\u003e 107 (\"Stella, since thou so right a princess art\") \n\u003cp\u003e\u003c\/p\u003e 108 (\"When sorrow (using mine own fire's might)\") \n\u003cp\u003e\u003c\/p\u003e Richard Barnfield \n\u003cp\u003e\u003c\/p\u003e Sonnets from \n\u003ci\u003eCynthia\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e 1 (\"Sporting at fancy, setting light by love\") \n\u003cp\u003e\u003c\/p\u003e 5 (\"It is reported of fair Thetis' son\") \n\u003cp\u003e\u003c\/p\u003e 9 (\"Diana (on a time) walking the wood\") \n\u003cp\u003e\u003c\/p\u003e 11 (\"Sighing, and sadly sitting by my love\") \n\u003cp\u003e\u003c\/p\u003e 13 (\"Speak, Echo, tell; how may I call my love?\") \n\u003cp\u003e\u003c\/p\u003e 19 (\"Ah no; nor I myself: though my pure love\") \n\u003cp\u003e\u003c\/p\u003e Michael Drayton \n\u003cp\u003e\u003c\/p\u003e Sonnet 12 (\"To nothing fitter can I thee compare\") \n\u003cp\u003e\u003c\/p\u003e Sonnet 61 (\"Since there's no help, come let us kiss and part\") \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e SIR THOMAS WYATT \n\u003cp\u003e\u003c\/p\u003e They Flee from Me \n\u003cp\u003e\u003c\/p\u003e My Lute, Awake! \n\u003cp\u003e\u003c\/p\u003e Tagus, Farewell \n\u003cp\u003e\u003c\/p\u003e Forget Not Yet \n\u003cp\u003e\u003c\/p\u003e Blame Not My Lute \n\u003cp\u003e\u003c\/p\u003e Lucks, My Fair Falcon, and Your Fellows All \n\u003cp\u003e\u003c\/p\u003e Stand Whoso List \n\u003cp\u003e\u003c\/p\u003e Mine Own John Poyns \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e HENRY HOWARD, EARL OF SURREY \n\u003cp\u003e\u003c\/p\u003e So Cruel Prison \n\u003cp\u003e\u003c\/p\u003e London, Hast Thou Accused Me \n\u003cp\u003e\u003c\/p\u003e Wyatt Resteth Here \n\u003cp\u003e\u003c\/p\u003e My Radcliffe, When Thy Reckless Youth Offends \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e SIR THOMAS MORE \n\u003cp\u003e\u003c\/p\u003e Utopia \n\u003cp\u003e\u003c\/p\u003e Response*** \n\u003cp\u003e\u003c\/p\u003e Sir Francis Bacon: \n\u003ci\u003efrom \u003c\/i\u003eNew Atlantis*** \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e WILLIAM BALDWIN*** \n\u003cp\u003e\u003c\/p\u003e Beware the Cat *** \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e EDMUND SPENSER*** \n\u003cp\u003e\u003c\/p\u003e The Faerie Queene *** \n\u003cp\u003e\u003c\/p\u003e The Sixthe Booke of the Faerie Queene *** \n\u003cp\u003e\u003c\/p\u003e The Two Cantos of Mutabilitie*** \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e SIR PHILIP SIDNEY \n\u003cp\u003e\u003c\/p\u003e The Apology for Poetry \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003e \u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e ISABELLA WHITNEY \n\u003cp\u003e\u003c\/p\u003e The Admonition by the Author \n\u003cp\u003e\u003c\/p\u003e A Careful Complaint by the Unfortunate Author \n\u003cp\u003e\u003c\/p\u003e The Manner of Her Will \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e MARY HERBERT, COUNTESS OF PEMBROKE \n\u003cp\u003e\u003c\/p\u003e Psalm 71: In Te Domini Speravi (\"On thee my trust is grounded\") \n\u003cp\u003e\u003c\/p\u003e Psalm 121: Levavi Oculos (\"Unto the hills, I now will bend\") \n\u003cp\u003e\u003c\/p\u003e The Doleful Lay of Clorinda \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e PERSPECTIVES: EARLY MODERN BOOKS*** \n\u003cp\u003e\u003c\/p\u003e Ranulf Higden \n\u003cp\u003e\u003c\/p\u003e from \n\u003ci\u003ePolychronicon \u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e John Foxe*** \n\u003cp\u003e\u003c\/p\u003e from \n\u003ci\u003eActes and Monuments of These Latter and Perilous Days***\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e The Geneva Bible \n\u003cp\u003e\u003c\/p\u003e Thomas Hariot*** \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003e \u003c\/i\u003efrom \n\u003ci\u003eThe True Pictures and Fashions of the People in That Part of America Now Called Virginia** \u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e John Gerard \n\u003cp\u003e\u003c\/p\u003e from \n\u003ci\u003eThe Herball or Generall historie of plantes\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e Geoffrey Whitney \n\u003cp\u003e\u003c\/p\u003e The Phoenix \n\u003ci\u003e \u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e Robert Fludd \n\u003cp\u003e\u003c\/p\u003e from \n\u003ci\u003eUtriusque cosmic, maioris scilicet et minoris, metaphysica atque technica historia\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e Francis Bacon \n\u003cp\u003e\u003c\/p\u003e from \n\u003ci\u003eAdvancement of Learning\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e English Handwriting Samples** \n\u003cp\u003e\u003c\/p\u003e Frontispiece to \n\u003ci\u003eA Certain Relation of the Hog-faced Gentlewoman\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e ELIZABETH I \n\u003cp\u003e\u003c\/p\u003e Written with a Diamond on Her Window at Woodstock \n\u003cp\u003e\u003c\/p\u003e Written on a Wall at Woodstock \n\u003cp\u003e\u003c\/p\u003e The Doubt of Future Foes \n\u003cp\u003e\u003c\/p\u003e On Monsieur's Departure \n\u003cp\u003e\u003c\/p\u003e Speeches \n\u003cp\u003e\u003c\/p\u003e On Marriage \n\u003cp\u003e\u003c\/p\u003e On Mary, Queen of Scots \n\u003cp\u003e\u003c\/p\u003e On Mary's Execution \n\u003cp\u003e\u003c\/p\u003e To the English Troops at Tilbury, Facing the Spanish Armada \n\u003cp\u003e\u003c\/p\u003e The Golden Speech \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e AEMILIA LANYER \n\u003cp\u003e\u003c\/p\u003e The Description of Cookham \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e CHRISTOPHER MARLOWE \n\u003cp\u003e\u003c\/p\u003e Hero and Leander \n\u003cp\u003e\u003c\/p\u003e The Tragical History of Dr. Faustus \n\u003cp\u003e\u003c\/p\u003e Response \n\u003cp\u003e\u003c\/p\u003e C.S. Lewis: \n\u003ci\u003efrom\u003c\/i\u003e The Screwtape Letters \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e SIR WALTER RALEIGH \n\u003cp\u003e\u003c\/p\u003e Nature That Washed Her Hands in Milk \n\u003cp\u003e\u003c\/p\u003e To the Queen \n\u003cp\u003e\u003c\/p\u003e On the Life of Man \n\u003cp\u003e\u003c\/p\u003e The Author's Epitaph, Made by Himself \n\u003cp\u003e\u003c\/p\u003e As You Came from the Holy Land \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e The 21st and Last Book of the Ocean to Cynthia \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e PERSPECTIVES: ENGLAND, BRITAIN, AND THE WORLD*** \n\u003cp\u003e\u003c\/p\u003e Fynes Moryson*** \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e An Itenerary, Obseravations on the Ottomon Empire*** \n\u003cp\u003e\u003c\/p\u003e Fynes Moryson*** \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e An Itenerary, Obeservations of Italy and Ireland*** \n\u003cp\u003e\u003c\/p\u003e Edmund Spenser*** \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e A View of the State of Ireland*** \n\u003cp\u003e\u003c\/p\u003e Thomas Hariot \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e A Brief and True Report of the Newfound Land of Virginia \n\u003cp\u003e\u003c\/p\u003e John Smith \n\u003cp\u003e\u003c\/p\u003e\n\u003ci\u003efrom\u003c\/i\u003e General History of Virginia and the Summer Isles \n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e WILLIAM SHAKESPEARE \n\u003cp\u003e\u003c\/p\u003e Sonnets \n\u003cp\u003e\u003c\/p\u003e 1 (\"From fairest creatures we desire increase\") \n\u003cp\u003e\u003c\/p\u003e 12 (\"When I do count the clock that tells the time\") \n\u003cp\u003e\u003c\/p\u003e 15 (\"When I consider every thing that grows\") \n\u003cp\u003e\u003c\/p\u003e 18 (\"Shall I compare thee to a summer's day\") \n\u003cp\u003e\u003c\/p\u003e 20 (\"A woman's face with Nature's own hand painted\") \n\u003cp\u003e\u003c\/p\u003e 29 (\"When, in disgrace with fortune and men's eyes\") \n\u003cp\u003e\u003c\/p\u003e 30 (\"When to the sessions of sweet silent thought\") \n\u003cp\u003e\u003c\/p\u003e 31 (\"Thy bosom is endearèd with all hearts\") \n\u003cp\u003e\u003c\/p\u003e 33 (\"Full many a glorious morning have I seen\") \n\u003cp\u003e\u003c\/p\u003e 35 (\"No more be grieved at that which thou hast done\") \n\u003cp\u003e\u003c\/p\u003e 55 (\"Not marble nor the gilded monuments\") \n\u003cp\u003e\u003c\/p\u003e 60 (\"Like as the waves make towards the pebbled shore\") \n\u003cp\u003e\u003c\/p\u003e 71 (\"No longer mourn for me when I am dead\") \n\u003cp\u003e\u003c\/p\u003e 73 (\"That time of year thou mayst in me behold\") \n\u003cp\u003e\u003c\/p\u003e 80 (\"O, how I faint when I of you do write\") \n\u003cp\u003e\u003c\/p\u003e 86 (\"Was it the proud full sail of his great verse\") \n\u003cp\u003e\u003c\/p\u003e 87 (\"Farewell! Thou art too dear for my possessing\") \n\u003cp\u003e\u003c\/p\u003e 93 (\"So shall I live, supposing thou art true\") \n\u003cp\u003e\u003c\/p\u003e 94 (\"They that have pow'r to hurt, and will do none\") \n\u003cp\u003e\u003c\/p\u003e 104 (\"To me, fair friend, you never can be old\") \n\u003cp\u003e\u003c\/p\u003e 106 (\"When in the chronicle of wasted time\") \n\u003cp\u003e\u003c\/p\u003e 107 (\"Not mine own fears nor the prophetic soul\") \n\u003cp\u003e\u003c\/p\u003e 116 (\"Let me not to the marriage of true minds\") \n\u003cp\u003e\u003c\/p\u003e 123 (\"No, Time, thou shalt not boast that I do change\") \n\u003cp\u003e\u003c\/p\u003e 124 (\"If my dear love were but the child of state\") \n\u003cp\u003e\u003c\/p\u003e 126 (\"O thou, my lovely boy, who in thy power\") \n\u003cp\u003e\u003c\/p\u003e 128 (\"H\u003cbr\u003e\u003cbr\u003e\n\n\u003cbr\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n","brand":"Pearson","offers":[{"title":"Default Title","offer_id":51502569128214,"sku":"9780205693337","price":151.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0857\/9910\/8886\/files\/9780205693337.jpg?v=1783310578","url":"https:\/\/lusper.myshopify.com\/products\/longman-anthology-of-british-literature-the-volumes-1a-1b-and-1c-4th-ed","provider":"Lusperbooks","version":"1.0","type":"link"}